I have a feeling I would prefer the side mounts. It’s the only one I have since I have a Drift Ghost S, and I’m not sure if there is a universal chin mount for cross brand cameras. However, there may be a more aesthetic, or psychological reason, for a side mount preference over a chin (or POV) view.
A side view creates an OTS, or Over-the-Shoulder kind of shot, which is my favorite shot in terms of shot selection, or editing. I say this because it turns the viewer into a voyeur. Instead of being set back from the subject/Main Character, watching the action through the 4th wall, we have now crept up behind the character (without them knowing it) to spy over their shoulder, and share what they’re watching.
This powerful shot has been used throughout film history in numerous variations from your standard OTS, to Over-the-Hip (or gun holster. Watch any classic western to see what I mean) to Over-the-Knee, and Over-the-Ankle (or spurs. Again, watch a classic western).
The OT(fill in the blank) can be used in many situations. An Over-the-Window Pane for an actually voyeur shot, to over a bush, over a branch, a desk, a hand, etc. ... . The list goes on.
The Chin shot creates a POV shot, which can be powerful, but is best used when it is preceded by an ’Off the Look’ shot. This means that if we -- the audience -- sees the Main Character looking at something ‘off screen’, whatever is cut to next is understood to be form the characters’s POV. If a clip starts with this, a POV shot, it’s not wrong, but it loses its editing punch. If it’s all we see then it becomes a long take. Long takes can work as long as they are interesting, challenging, or intriguing. Sound, music and voce-overs can create these elements. If B-roll footage can be edited in, then the long take is broken up, which creates an anticipation when we cut back to it.
Watch commercials, short films, TV and feature films and you'll notice how often the ‘Off the Look' shot is used, along with the OTS. Editors love 'Off the Look’ shots because it motivates a cut. By this I mean an editor will often ask why am I cutting here? what’s motivating this cut? An ‘Off the Look shot answers that question while an OTS shot adds tension and drama to a scene.
- Wuf