Folks, I'm brand new to this, but I've watched a ton of how-to's and been doing some experimentation and I'm wanting some feedback and tips on how you edit 360 footage.
I have both a GoPro Max and an Insta 360 X3. The Max is for on-bike footage and is mounted on my windscreen. The X3 is for off-bike footage when I'm sightseeing. (I thought I had lost my Max and so I bought a new X3, and a week later found the Max, so that's why both).
My understanding is that I have to recode both the Max and X3 footage into new formats. For the Max, I'm using "CineForm 5.6K Film Scan 1" With WorldLock turned off and Horizon Level on. The resulting new files are massive. For the X3 I'm using ProRes 422 with a resolution of 3840x1920. I have FlowState Stabilization and Direction Lock on, with Dynamic Stitching. The resulting files are also massive.
I'm using Davinci with the KartaVR plugin. For my Davinci workflow with the Max, I import the recoded files and first sync them with my Hero Helmet Cam footage. I'm not good at this and don't remember to use my horn or any audio queue. I usually look for some scenery that is in both shots and try to get it as close as possible. Once I have the two cameras in sync I delete the Max audio. I then copy the Max footage 3 times into new tracks. Using KartaVR I then reframe the 4 tracks of Max footage, one for a view of me, one forward, and then one that is a stretched view from the right and the last from the left. I label each track and then turn all five camera tracks into a multicam clip. Next, I create a new timeline add the multicam clip, and switch between the 5 different views as I see fit. The only audio is from my Hero and helmet mic.
I'm new so I can't post clips or I'd show some of this that way.
Anyway, I'm looking for feedback on how to do this better, or things I should change.
Thanks,
Steve
I have both a GoPro Max and an Insta 360 X3. The Max is for on-bike footage and is mounted on my windscreen. The X3 is for off-bike footage when I'm sightseeing. (I thought I had lost my Max and so I bought a new X3, and a week later found the Max, so that's why both).
My understanding is that I have to recode both the Max and X3 footage into new formats. For the Max, I'm using "CineForm 5.6K Film Scan 1" With WorldLock turned off and Horizon Level on. The resulting new files are massive. For the X3 I'm using ProRes 422 with a resolution of 3840x1920. I have FlowState Stabilization and Direction Lock on, with Dynamic Stitching. The resulting files are also massive.
I'm using Davinci with the KartaVR plugin. For my Davinci workflow with the Max, I import the recoded files and first sync them with my Hero Helmet Cam footage. I'm not good at this and don't remember to use my horn or any audio queue. I usually look for some scenery that is in both shots and try to get it as close as possible. Once I have the two cameras in sync I delete the Max audio. I then copy the Max footage 3 times into new tracks. Using KartaVR I then reframe the 4 tracks of Max footage, one for a view of me, one forward, and then one that is a stretched view from the right and the last from the left. I label each track and then turn all five camera tracks into a multicam clip. Next, I create a new timeline add the multicam clip, and switch between the 5 different views as I see fit. The only audio is from my Hero and helmet mic.
I'm new so I can't post clips or I'd show some of this that way.
Anyway, I'm looking for feedback on how to do this better, or things I should change.
Thanks,
Steve