I only have it so I can easily export in 60 fps but it is expensive if you are just starting. I started with cyberlink director.
So far I’ve been lucky and have access to the CC through the University where I teach. Just got Premiere CC17. I miss the old days when you could just buy the program. This monthly rental crap is just a rip-off.
- Wuf
Premiere Pro CC is great. That being said, you really don't unlock it's full potential unless you're going to be using it with After Effects, and Audition as well. The Adobe Dynamic Link features are really useful in Premiere, and make editing lengthy content way faster than the old pre-Dynamic Link workflow of rendering stuff out in After Effects, importing into Premiere, seeing if it's good, if not go back to After Effects, repeat.
For motovlogging, it's a bit overkill, but honestly I can do everything in Premiere, After Effects, and Audition in about 2-3x less time than it would take to do the same thing in Vegas or Final Cut.
Premiere Pro CC is great. That being said, you really don't unlock it's full potential unless you're going to be using it with After Effects, and Audition as well. The Adobe Dynamic Link features are really useful in Premiere, and make editing lengthy content way faster than the old pre-Dynamic Link workflow of rendering stuff out in After Effects, importing into Premiere, seeing if it's good, if not go back to After Effects, repeat.
For motovlogging, it's a bit overkill, but honestly I can do everything in Premiere, After Effects, and Audition in about 2-3x less time than it would take to do the same thing in Vegas or Final Cut.
I pretty much use Audition to reduce the dB on raw GoPro audio files using declip. It essentially cuts out the need to use an external audio capture device while recording your rides. Declick can be really useful too for certain situations.Are you using audition for removing wind noise, or just mixing your sound?